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contest winning scripts and screenplays


COLUMNS

Creating Bomb-Proof Loglines   Lenore Wright

Sucker Punched   Neill D. Hicks

The Spirit of Cirque du Soleil    Sam Quo Vadis

What Writers Learn From Readings    Sable Jak

Screenwriting Boards- Post to Profit!    Lenore Wright

How To Establish the Dramatic Premise of Your Screenplay    Don Vasicek

'Trailerized' Scripts- A New Marketing Tool    Mary Case

Backers Readings    Joe Rodriguez

Agents on Getting Agents    Pete Barnstrom

From 'Fade In' to Producer's Desk in Twelve Months    Daphne Charette

The Screenwriter's Web: Query Letters That Will Knock Their Socks Off    Lenore Wright

The Austin Film Festival: How to Work It Like a Borrowed Mule    Pete Barnstrom

The Anatomy of a Producible Screenplay: Page One    Don Vasicek

The Screenwriter's Web: Where Agents Hang Out    Lenore Wright

Film Studios on Alert    Mary J. Schirmer

The German Film Market and Audience     Tatjana Morelly

Ruby Tuesday    James Barrett

The Screenwriters' Web: Using the Internet to Target Your Script Submissions    Lenore Wright.

Getting Beyond the Comfort Zone    Daphne Charette

Becoming Worthwhile    Jenna Glatzer

How to Write Screenplays that Hollywood Produces    Don Vasicek

From Here to Perpetuity    Mary Case

Pity the Poor Remake    Sable Jak